{ "title": "Events & exchange — Project journal", "text": "MODAVIS (2026). Events & exchange — Project journal. Research notebooks, September 2026 · Connected evidence edition. https://modavis.org/editions/2026-09-r6/journal/events/", "bibtex": "@misc{modavis_journal_events_2026_09_r6,\n author = {{MODAVIS}},\n title = {Events & exchange — Project journal},\n year = {2026},\n month = {09},\n version = {2026-09-r6},\n url = {https://modavis.org/editions/2026-09-r6/journal/events/},\n note = {Content SHA-256: cfb38fdb7109bb17af8f9e42a14e07ae5608145cbc29c804668619b6b2297304}\n}", "url": "https://modavis.org/editions/2026-09-r6/journal/events/", "sha256": "cfb38fdb7109bb17af8f9e42a14e07ae5608145cbc29c804668619b6b2297304", "edition": "2026-09-r6", "date": "2026-09-26", "canonicalPayload": "{\"book\":{\"number\":\"10\",\"slug\":\"journal\",\"title\":\"Project journal\"},\"chapter\":{\"blocks\":[{\"id\":\"printing\",\"text\":\"3D Printing and Musical Heritage · 2024\",\"type\":\"heading\"},{\"text\":\"The Royal College of Music conference programme includes Dominik Ukolov’s contribution “Multimodal Virtual Enhancement of 3D Printed Musical Instruments”, exploring mixed-reality access to physical reproductions.\",\"type\":\"p\"},{\"items\":[{\"detail\":\"Programme and contribution abstract.\",\"href\":\"https://www.rcm.ac.uk/media/Conference%20programme_2024.03.22.pdf\",\"label\":\"Conference programme · Royal College of Music\"}],\"type\":\"links\"},{\"id\":\"future\",\"text\":\"Future conversations\",\"type\":\"heading\"},{\"text\":\"For a demonstration, research exchange or invitation, contact the project directly. Confirmed upcoming events will be added to this notebook.\",\"type\":\"p\"},{\"id\":\"contribution-question\",\"text\":\"The research question behind the contribution\",\"type\":\"heading\"},{\"text\":\"The conference abstract considers mixed-reality textures and interaction tracking on a physical, 3D-printed instrument. The printed object provides a tactile point of reference while digital layers make further instrument information accessible. This is one route into the broader MODAVIS question of how material contact, documentation and virtual experience can be connected.\",\"type\":\"p\"},{\"text\":\"That contribution should be read at the scale of its stated investigation. A conference abstract documents a topic and proposal; it does not by itself establish the results of a comparative listening study or a general demonstration of historical authenticity.\",\"type\":\"p\"},{\"id\":\"conversation-paths\",\"text\":\"Paths for a research conversation\",\"type\":\"heading\"},{\"headers\":[\"Format\",\"Possible focus\"],\"rows\":[[\"Instrument or collection discussion\",\"What evidence is needed to describe a configuration or prepare a reusable capture?\"],[\"Technical walkthrough\",\"How do a manifest, exact resources and a compatible client work together?\"],[\"Methods seminar\",\"Where do source criticism, normalization, modelling and review meet?\"],[\"Demonstration discussion\",\"What does an interactive experience reveal, and which claims remain outside its scope?\"]],\"type\":\"table\"},{\"text\":\"These are suggested starting points for an enquiry, not advertised upcoming events. A useful demonstration can begin with one fixed resource and a clear question, then follow its evidence through to the interface. Describing the intended audience and available setup makes it easier to choose a meaningful example and distinguish public materials from resources with restricted access.\",\"type\":\"p\"},{\"items\":[{\"href\":\"/notebooks/vao/examples/\",\"label\":\"Follow the reference cases\"},{\"href\":\"/notebooks/about/contact/\",\"label\":\"Discuss a research exchange\"}],\"type\":\"links\"},{\"items\":[{\"href\":\"/notebooks/about/contact/\",\"label\":\"Contact the project\"}],\"type\":\"links\"}],\"intro\":\"Conferences, demonstrations and discussion are opportunities to test the research in different contexts.\",\"slug\":\"events\",\"sources\":[{\"href\":\"https://www.rcm.ac.uk/media/Conference%20programme_2024.03.22.pdf\",\"label\":\"Royal College of Music · 2024 programme\"}],\"title\":\"Events & exchange\"},\"date\":\"2026-09-26\",\"edition\":\"2026-09-r6\",\"figures\":{}}", "payload": { "edition": "2026-09-r6", "date": "2026-09-26", "book": { "slug": "journal", "title": "Project journal", "number": "10" }, "chapter": { "slug": "events", "title": "Events & exchange", "intro": "Conferences, demonstrations and discussion are opportunities to test the research in different contexts.", "blocks": [ { "type": "heading", "text": "3D Printing and Musical Heritage · 2024", "id": "printing" }, { "type": "p", "text": "The Royal College of Music conference programme includes Dominik Ukolov’s contribution “Multimodal Virtual Enhancement of 3D Printed Musical Instruments”, exploring mixed-reality access to physical reproductions." }, { "type": "links", "items": [ { "label": "Conference programme · Royal College of Music", "href": "https://www.rcm.ac.uk/media/Conference%20programme_2024.03.22.pdf", "detail": "Programme and contribution abstract." } ] }, { "type": "heading", "text": "Future conversations", "id": "future" }, { "type": "p", "text": "For a demonstration, research exchange or invitation, contact the project directly. Confirmed upcoming events will be added to this notebook." }, { "type": "heading", "text": "The research question behind the contribution", "id": "contribution-question" }, { "type": "p", "text": "The conference abstract considers mixed-reality textures and interaction tracking on a physical, 3D-printed instrument. The printed object provides a tactile point of reference while digital layers make further instrument information accessible. This is one route into the broader MODAVIS question of how material contact, documentation and virtual experience can be connected." }, { "type": "p", "text": "That contribution should be read at the scale of its stated investigation. A conference abstract documents a topic and proposal; it does not by itself establish the results of a comparative listening study or a general demonstration of historical authenticity." }, { "type": "heading", "text": "Paths for a research conversation", "id": "conversation-paths" }, { "type": "table", "headers": [ "Format", "Possible focus" ], "rows": [ [ "Instrument or collection discussion", "What evidence is needed to describe a configuration or prepare a reusable capture?" ], [ "Technical walkthrough", "How do a manifest, exact resources and a compatible client work together?" ], [ "Methods seminar", "Where do source criticism, normalization, modelling and review meet?" ], [ "Demonstration discussion", "What does an interactive experience reveal, and which claims remain outside its scope?" ] ] }, { "type": "p", "text": "These are suggested starting points for an enquiry, not advertised upcoming events. A useful demonstration can begin with one fixed resource and a clear question, then follow its evidence through to the interface. Describing the intended audience and available setup makes it easier to choose a meaningful example and distinguish public materials from resources with restricted access." }, { "type": "links", "items": [ { "label": "Follow the reference cases", "href": "/notebooks/vao/examples/" }, { "label": "Discuss a research exchange", "href": "/notebooks/about/contact/" } ] }, { "type": "links", "items": [ { "label": "Contact the project", "href": "/notebooks/about/contact/" } ] } ], "sources": [ { "label": "Royal College of Music · 2024 programme", "href": "https://www.rcm.ac.uk/media/Conference%20programme_2024.03.22.pdf" } ] }, "figures": {} } }